{"id":9268,"date":"2019-11-09T08:10:47","date_gmt":"2019-11-09T07:10:47","guid":{"rendered":"https:\/\/literarnenoviny.sk\/servis\/?p=9268"},"modified":"2019-11-12T23:11:35","modified_gmt":"2019-11-12T22:11:35","slug":"rusky-herec-oleg-mensikov-stvarni-alexandra-dubceka-v-novom-dvojdielnom-filme","status":"publish","type":"post","link":"https:\/\/literarnenoviny.sk\/servis\/rusky-herec-oleg-mensikov-stvarni-alexandra-dubceka-v-novom-dvojdielnom-filme\/","title":{"rendered":"Rusk\u00fd herec Oleg Me\u0148\u0161ikov stv\u00e1rni Alexandra Dub\u010deka v novom dvojdielnom filme"},"content":{"rendered":"

V pripravovanom dvojdielnom filme chorv\u00e1tskeho re\u017eis\u00e9ra Lordana Zafranovi\u0107a stv\u00e1rni hlavn\u00fa postavu Pra\u017eskej jari 1968 Alexandra Dub\u010deka<\/a> zn\u00e1my rusk\u00fd herec Oleg Me\u0148\u0161ikov<\/a><\/strong>. Informoval o tom slovensk\u00fd producent Andrej Antonio Leca.<\/p>\n

Me\u0148\u0161ikov patr\u00ed v s\u00fa\u010dasnosti v Rusku k najobsadzovanej\u0161\u00edm hercom. Zahral si napr\u00edklad v oce\u0148ovan\u00fdch filmoch re\u017eis\u00e9ra Nikitu Michalkova<\/a> Unaven\u00ed slnkom<\/strong> (\u0423\u0442\u043e\u043c\u043b\u0451\u043d\u043d\u044b\u0435 \u0441\u043e\u043b\u043d\u0446\u0435\u043c, 1994)<\/em>, a Sib\u00edrsky barbi\u00e9r<\/strong> (\u0421\u0438\u0431\u0438\u0440\u0441\u043a\u0438\u0439 \u0446\u0438\u0440\u044e\u043b\u044c\u043d\u0438\u043a, 1998)<\/em>. <\/p>\n

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Pod\u013ea scen\u00e1ra slovensk\u00e9ho autora Karola Hl\u00e1vku by mal filmy nakr\u00fati\u0165 predstavite\u013e \u201e\u010diernej vlny\u201c<\/em> juhoslovansk\u00e9ho filmu Lordan Zafranovi\u0107<\/a>, zn\u00e1my predov\u0161etk\u00fdm svojou tril\u00f3giou Okup\u00e1cia v 26 obrazoch<\/strong> (Okupacija u 26 slika, 1978)<\/em>, P\u00e1d Talianska<\/strong> (Pad Italije, 1981)<\/em> a Ve\u010dern\u00e9 zvony<\/strong> (Ve\u010dernja zvona, 1988)<\/em>. <\/p>\n

Obe sn\u00edmky bud\u00fa mapova\u0165 \u017eivot Alexandra Dub\u010deka, jeho rodiny, ale aj udalosti v \u0161irokom geopolitickom kontexte 20. storo\u010dia. <\/p>\n

Prv\u00fd film Dub\u010dek \u2013 Sloboda alebo smr\u0165<\/strong><\/em> zachyt\u00e1va obdobie rokov 1918 a\u017e 1956, za\u010dne sa v Chicagu a  skon\u010d\u00ed v Moskve. Druh\u00fd s n\u00e1zvom Dub\u010dek \u2013 \u013dudsk\u00e1 tv\u00e1r<\/strong><\/em> prevedie div\u00e1kov udalos\u0165ami Pra\u017eskej jari, normaliza\u010dn\u00fdm obdob\u00edm a skon\u010d\u00ed v roku 1992 tragickou smr\u0165ou Alexandra Dub\u010deka.<\/p>\n

Pod\u013ea u\u017e d\u00e1vnej\u0161ie zverejnen\u00fdch inform\u00e1ci\u00ed stv\u00e1rni sovietskeho vodcu Leonida Bre\u017eneva franc\u00fazsky herec G\u00e9rard Depardieu<\/a>. \u00dalohy umeleck\u00e9ho garanta projektu sa zhostil nemenej zn\u00e1my po\u013esk\u00fd re\u017eis\u00e9r Krzysztof Zanussi<\/a>. <\/p>\n

Premi\u00e9ra oboch pripravovan\u00fdch filmov je napl\u00e1novan\u00e1 na jar v roku 2021.<\/p>\n

— Humanface.eu<\/a> \/ Leca Production<\/a><\/small><\/p>\n

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\"www.martinus.sk\"<\/a><\/span><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"

Zn\u00e1my rusk\u00fd herec Oleg Me\u0148\u0161ikov stv\u00e1rni v pripravovanom dvojdielnom filmovom projekte Alexandra Dub\u010deka, prv\u00e9ho tajomn\u00edka \u00daV KS\u010c a l\u00eddra Pra\u017eskej jari z roku 1968. Me\u0148\u0161ikov patr\u00ed v Rusku k najobsadzovanej\u0161\u00edm hercom. Hlavn\u00e9 postavy si zahral napr\u00edklad v oce\u0148ovan\u00fdch filmoch re\u017eis\u00e9ra Nikitu Michalkova Unaven\u00ed slnkom a Sib\u00edrsky barbi\u00e9r. Filmy by mal nakr\u00fati\u0165 chorv\u00e1tsky re\u017eis\u00e9r Lordan Zafranovi\u0107. Cel\u00e1 spr\u00e1va →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[1],"tags":[16,5],"_links":{"self":[{"href":"https:\/\/literarnenoviny.sk\/servis\/wp-json\/wp\/v2\/posts\/9268"}],"collection":[{"href":"https:\/\/literarnenoviny.sk\/servis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/literarnenoviny.sk\/servis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/literarnenoviny.sk\/servis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/literarnenoviny.sk\/servis\/wp-json\/wp\/v2\/comments?post=9268"}],"version-history":[{"count":0,"href":"https:\/\/literarnenoviny.sk\/servis\/wp-json\/wp\/v2\/posts\/9268\/revisions"}],"wp:attachment":[{"href":"https:\/\/literarnenoviny.sk\/servis\/wp-json\/wp\/v2\/media?parent=9268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/literarnenoviny.sk\/servis\/wp-json\/wp\/v2\/categories?post=9268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/literarnenoviny.sk\/servis\/wp-json\/wp\/v2\/tags?post=9268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}